The first is not addressing the mainstream issues people have with hip hop culture. It may be lucrative to market to your most supportive audiences, but you can't ignore the masses.
The second is simply not being cool enough to be compatible with hip hop audiences. Being edgy is not the same as cool. It can help, but "Lose Yourself" didn't need to depend on kindness to do well.
Part of that futility is the predictable repetition of human nature to mistreat one another. RapIndie searches for music and artists that interrupt the narrative of supremacy, but at best self-interest makes stubborn people perceive them as "formidable" rather than "the same".
The good thing about thug culture is that it teaches 100% acceptance of urban culture.
Music quality has nothing to do with any one-dimensional aspect. The question is, if people are connecting to the 2020's rap organically like they should, why is there so much philanthropic gatekeeping to stop new alternatives?
While most audiences may prefer rap music that they respect and relate to, thug culture has always been lemonade.
Imagine if country music was filled with urban artists. Being apart of country music would not be able to authenticate and validate your ties to country's culture. A little exclusion helps make the inclusion more powerful.
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