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There are really good hood artists like Chief Keef and O.T. Genesis. And there are some bad intellectual artists. Music quality is not on a spectrum of complexity or sophistication.
The danger of poor representation is it is either making people less critical or fueling the under-estimation of the culture. Initially, the social dilemma was artists in rap in the early 10's were taste-making fans that only respected intellectual rappers in a society that still assumed that urban people were rarely intelligent.
Finally, there's a certain heritage vanity that spawned from the division and began to emphasize the hood dialect. A lot of new rappers are celebrated for their hood accent shamelessly above prowess. Although it's fair and maybe even a necessary thing in 2020, the battle to sound the hoodest is creating talentless one-dimensional acts that soothe egos. However, maybe that's we need.
The stars of today have a much smaller amount of hype than previous years. I think the gate keepers are aware of it and are purposefully facilitating the mediocrity. Heritage emphasis is a trend that I hope goes away as we mature over time and lengthen our influence.